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Course Notes Toulmin Argument
Toulmin Argument Enthymeme
(This is now a page about Enthymeme. Toulmin arguments are a boring, bloated, and stupid way of restating something that Aristotle already called the enthymeme (and, besides, enthymeme is a cooler word)
Introduction
- To understand rhetoric, we need to gain some understanding on how arguments work, on a formal level.
The Enthymeme
- Aristotle (again, he did write the book on the subject after all) coined the term enthymeme to describe a basic and informal logical argument.
- Largely the framework of modern argumentation: a sentence or fragment that contains two elements, a claim and a reason.
- We’d better cancel the picnic because it’s going to rain.
- Flat taxes are fair because they treat everyone the same.
- I’ll buy a Honda Civic because it’s cheap and reliable.
- Enthymemes often form an implicit conclusion that is left out (either because it is dubious or because it is obvious).
- Explicit major premise (larger cultural assumptions) from above:
- Rain ruins a picnic (obvious).
- Taxes that treat everyone the same are the best (dubious).
- A cheap and reliable car is best for me (obvious).
- Expanding the first enthymeme:
- We’d better cancel the picnic this afternoon because the weather bureau is predicting a 70 percent chance of rain for the remainder of the day.
- Makes a number of assumptions here:
- Picnics are ordinarily held outdoors.
- When the weather is bead, it’s best to cancel picnics.
- Rain is bad weather for picnics.
- A 70% chance of rain means that rain is more likely to occur than not.
- When rain is more likely to occur than not, it makes sense to cancel picnics.
- The weather bureau’s predictions are reliable enough to warrant action.
- Looking at the major premise and assumptions of an enthymeme in the wild can go a long way to testing the validity of an argument.
- Composing an enthymeme is often a convenient way to begin thinking through an argument.
- Start with the enthymeme and move backwards to what sorts of background assumptions and cultural details will need to be discussed.
- What authorities can you bring in?
- How can you use emotional appeals to bring your readers into agreement?
- As you start composing, you can form an enthymeme with more claims: this is the basis, the skeleton, of your argument: we should (or shouldn’t) do u because of v,w,x,y, and z.
- Remember, enthymemes may have to be qualified to meet audience requirements or the needs of “reality”. This is part of the process of expansion.
Let’s Look At Some Enthymemes
- I will not pass this class because I don’t have time to write my research paper.
- Claim?
- Reason?
- Major Premise?
- George W. Bush is a fine statesmen because he is a master of the art of compromise
- Claim?
- Reason?
- Major Premise?
Prolepsis (how the future makes you smart)
- Another important greek word that can still be useful to any budding rhetoric ninja.
- Two definitions:
- The act of anticipating audience objections
- The act of speaking about some future event as though it has already happened.
- More commonly used is the first.
- Example:
- “I would imagine most people think this claim to be impossible, well, to them I say: ... ”
- Why would anticipating objections (counterarguments) be so important?
- Allow us to address our readers more specifically.
- Can make your own argument seem stronger by showing how other, competing or dissenting arguments are weaker
- Once again, as with the concept of topoi discussed earlier, we see the importance of audience to a successful practice of rhetoric.
- In rhetorical writing (all communication really) we are always arguing in a commons or a community of readers. Nothing is ever written for no one to read (even journals and diaries have anticipated readers).
- Talk about people losing jobs over Facebook crap. Classic example of failing to think proleptically.
- Anticipating your audience is the most important aspect of an rhetorical composition: it drives everything else you do (even the construction of your enthymeme).
Created on July 6, 2008 19:57:52
by
Escha Ton
(71.58.49.72)